Drawing Dump.

I forgot to post these drawings, I did. They’re from 2019.

Alain.
Meryl Keioskie
Self-portrait.
Meryl Keioskie

At this moment, I am still practicing pianism and music theory. Mind the delay in updates… more or less, I’ve other things to tend to. Enjoy these drawings, anyhow.

Drawings Dump: Some Of My Digital Sketchbook.

Some drawings I did from earlier in 2020. I never got to post these, initially–this site is rather new, after all. Anyhow, here are some. Enjoy looking inside of my psyche.

I have a muse, yes.

NOTE: They’re uploaded in their original resolutions… therefore it’ll take a while to load, for some.

Alain.
Meryl Keioskie.
The treasure master of 88 keys.
Alain is mean.
The Snufkin.
Meryl Keioskie.
I am you.
Meryl Keioskie
When the mind plays tricks on you.
Stuart Yoshihiro concept inks.
Alain~ aehhehhh~
Some Jean Giraud inspiration.
Kite flying, and the romantic possibilities.
He’s smiling because she’s shit at the viola.
I AM… MUSIC MAAAAAAAAAAAAAAANNNNNNNNNNNNNNNNNNNNNNNNNN.
Meryl Keioskie.
A depiction of myself and my ex.
Jazz hands,
Sleep angel, sleep.
Alain hates being called a sexy priest… but he is.
I sketch on my research notes often. Hurr-hurr-hurr.
I laugh at my own drawings, due to the absurdity of them.
Quiet, you!
Stuart is not impressed.
Love? You call that love. Get out of here.
How I flirt with men. Not pictured: the hours and hours of crying.
Meryl Keioskie.
Meryl Keioskie
Inspired by Max Richter’s ‘Infra five’.

Enjoy, my lovelies~

Sketch Redux “An Ivories Man”.

I wasn’t satisfied with the above, so I’ve re-drawn him to be more ‘warm’.

He’s a treble, and bass man. One for each hand. And he isn’t all that nice, per se. He is an imago to the darker side–the shadow, of one’s psyche. In this case, my character Stuart’s psyche. The darker aspects of one’s psyche, if integrated successfully holds great potential for creativity. The best of creatives, have danced with the darker aspects of themselves at one point or another. Those who deny that darkness within themselves, are doomed to be forever controlled by it… that is, unconsciously.

Mmmmm… next time, I will draw his hands in shot. Them ivory ticklers like to display their hands~ those with large hands, and long fingers which taper to a point are my favorite to draw… that as well as, wispy gamine pianists.

Drawing Comics: Progress II

Another panel I’ve semi-inked. Here’s some progress, that I thought I’d share.

Seven hours a day/night, if I can manage it.

Also listening to some Jazz, because Jazz is my favorite:

Especially Jazz Piano.

Drawing: Comic Progress.

In-between music, I still tend to my other love. Drawing.

Here’s some more progress on my PhD Comic:

More to go.

Post-scriptum: For this arc, if you know the comic artist of whom I am being influenced by, style wise. You gets a damned, digital high-five. Heueheuheu~

Drawing: Frédéric Chopin II.

Another sketch/drawing I did of Frédéric Chopin. With some Art Nouveau influence added in there.

A redux to the former.

I could not resist.

Some people look as if they were born to grace the keys of the piano.

With strong hands, and long fingers which taper. It was the spirit of music, he loved most.

Sketch: Stuart Yoshihiro.

More on my PhD project. A graphic novella. In revising Stuart’s narrative, I wanted to draw him in Craig Thompson’s style. Stuart is a character, who is completely fictional. He is influenced by research on high-functioning Autistic individuals… as well as my own experience.

This is the original style I drew him in, for the first narrative. The style is influenced by two favorite Mangaka of mine: the late Satoshi Kon, and Katsuhiro Otomo of Akira fame. Stuart’s last name ‘Yoshihiro’, is a nod to Satoshi Kon, who adopted this pseudonym during his earlier works. His name ‘Stuart’, is a reference from the fictional Gorillaz front-man “2D”, who’s true name is ‘Stu Pot’. His appearance, is probably based on an amalgam of Alexander David Turner from “Arctic Monkeys”, during the Humbug album–and elvish-looking men. Although, people who have read through drafts of the comic thus far… have mistaken Stuart for being me–so, there is most probably that influence, just as well.

Well, he is my son. I created him after-all.
One takes the symbols, which connote their supposed representations and ‘water’ down the depictions to mere abstraction. That is my process in changing/adopting styles. It’s implicit. Not much thought is given to it, truth be. I just do… Also–Hah, there’s only five staves there. Stuart, you wrote them wrong! Start again!